“Joyful and poignant and potent, skilfully drawing connections between past and present, between community and history, resulting in a richly engaging and cleverly crafted work.”
Richard Watts, Arts Hub
NORPA’s intimate spite specific work first performed in 2016 at Eureka Hall in the Byron Bay hinterland.
Dreamland is a time capsule of local history, characters and ghosts that have frequented Eureka Hall since it was built in 1906. The hall has been the gathering place for community meetings, gala balls, send offs for local boys going to distant wars, hippie invasions and waves of tree-changers.
Dreamland is a celebration of the dance of life, in all its mystery. Sometimes quick, sometimes slow, elegantly together or crazy alone. Combining physical theatre, song, dance, humour and drama Dreamland is full of the adventurous, innovative and entertaining hallmarks of NORPA original works.
Dreamland is created in association with Arts Northern Rivers If These Halls Could Talk project, and in collaboration with the Eureka Hall Committee and community.
““Rambunctious, colourful, life-affirming extravaganza.”
Barnaby Smith, RealTime
Director/devisor | Julian Louis
Writer/devisor | Janis Balodis
Performer/devisors | Phil Blackman, Darcy Grant, Katia Molino, Toni Scanlan, Kirk Page
Movement Consultant | Kirk Page
Musical Director/Key Musician | Shenzo Gregory
Percussionist | Ben Walsh
Double Bass/Acoustic guitar | Barry Hill
Double Bass/Acoustic guitar (Dec 1st, 9th, 10th) | Jamie Birrell
Lighting Designer | Karl Johnson
Costume Designer | William Kutana
Creative Producer | Marisa Snow
Assistant Director/Stage Manager | Kate McDowell
Design Consultant | Edward Horne
23 November – 10 December 2016 at Eureka Hall, Northern NSW
Step into Dreamland by looking through our photo gallery.
Dreamland opens a window into stories that were inspired by our research into the local community around Eureka and its small hall. People shared with us their personal memories and associations with the hall, its history and the part it still plays in the life of a small, regional community, embracing its past and its changing nature. This show is not just one story – it’s a heightened and fictionalised impression of a place and what it has witnessed – if these halls could talk…
In many ways this work is a follow up to NORPA’s production of Railway Wonderland (2012 & 2015), which is also site-specific. My collaborator, Janis and I were interested in replicating the structure and style of Railway when developing Dreamland. We aim to entertain, using local stories that are influenced by associations with a specific place, and so give expression to universal themes.
Some common links to emerge from the research were the endless meetings and especially the importance of music and dance. Inside the music and on the dance floor we hear both personal and familiar stories and find ourselves in the dance of life.
In Dreamland we meet the ubiquitous committee who are more like spirits of the hall, the keepers of memories and time. Through the agency of these ‘ghosts’ we hear stories of love, of loneliness and of a sense of the changing nature of community. Then there’s the ‘newbie’ Jason, who in some ways represents our modern need for connection and belonging. His struggle to give meaning to his life in a regional area is suggestive of the struggle of successive waves of settlers, from those who cleared The Big Scrub to hippies, to tree-changers.
Thank you to the Eureka Hall committee, in particular to Fae Olive, and all the members of the Eureka community who gave their time to this project – we hope you enjoy Dreamland!
We have all heard the adage – write what you know. I have not lived in a place like Eureka, but I grew up in a small country town in North Queensland and taught in a district that did not even have a hall. The two-teacher primary school was the focal point of the farming community.
For me, Eureka Hall and the stories generously shared by members of that community evoked memories of Friday night dances at Buffalo Hall – the ‘ladies’ seated along one wall, the ‘gents’ standing opposite, both groups eyeing each other. Pops was sprinkled on the floor. Came the call, ‘Gentlemen select your partners for…’ Pride of Erin, Waltz, Fox Trot, Gypsy Tap… and we were off. Partner dancing – then the Jive, Limbo, the Stomp and everything since.
The dances and balls – dancing gave meaning and expression to life. It is where people met, fell in love, broke up… and got on with it. There was a place for everyone, the popular and the plain, those who could dance with grace and those who bumbled awkwardly about. Music and dance are wonderful triggers for memory, and dance is a delightful metaphor for life.
The challenge for Julian and I was to find ways to explore notions of community dance in story telling, how to use and incorporate dance or movement to tell the Eurekan stories and events that had excited our interest. For example, can we tell the story of the clearing of The Big Scrub through dance using real axes? Can we evoke the sense of Saturday afternoon soccer matches by incorporating soccer drills in dance moves? Can we spark that nostalgic yearning for community by sharing stories about dancing, together and alone?
The proof is in the pudding.
‘Ladies select your partners…’
Enjoy the dance.
Watch and listen
Fae Olive teaches Julian Louis, Artistic Director of NORPA the barn dance.
Listen to Stories from Eureka Hall on ABC Open.
Listen to Interview with director Julian Louis and historian Prof Johanna Kijas on ABC Radio National (16 November, 2016)
Listen to Creating Dreamland for Eureka Hall on ABC Open.
Listen to Actors Kirk Page and Toni Scanlan talk about Dreamland on ABC Open.
ARTS NORTHERN RIVERS ‘IF THESE HALLS COULD TALK’ PROJECT
A region-wide season of contemporary arts events that was held in seven community halls across the Northern Rivers region from the 17 September – 17 December 2016.
To learn more visit If These Halls Could Talk
Photos | Kate Holmes and Kurt Petersen